I. STAGES OF INDUSTRIAL REVOLUTIONS:
A. Western Europe
and the United States, from
1760 to 1900
B. Russia and
Japan, from 1880s onward
C. Pacific Rim,
Turkey, India, Brazil and other
parts of Latin America, from 1960s
onward.
II. FOUR GLOBAL EXAMPLES
OF INDUSTRIALISM:
A.
Transforming
Sugar Plantations in Cuba
B.
Liebigs Beef in Uruguay
“Gelatine,
when taken in the dissolved state, is again converted, in the body, into
cellular tissue, membrane and cartilage; that it may serve for the reproduction
of such parts of these tissues as have been wasted, and for their growth.”
(Liebig)
C. Silk Industry in
Japan
D. French “mission civilisatrice” in Indochina:
III. The Positive Side of Industrialization:
A.
Inventions:
Kindergarten…Friedrich Froebel,
1837
Medical Advances…xrays, vaccines,
Printing…Friedrich Gottlob
Koenig and
Andreas Friedrich Bauer, 1812, created a steam powered
printer made it possible to print thousands of copies of a page in a day.
B.
Art:
Town Anthem of Yawata,
Japan:
Billows of smoke filling the sky
Our steel plant, grandeur unmatched
Yawata, O Yawata, our city!
Wordsworth:
“Steamboats,
Viaducts, and Railways” (1833)
MOTIONS
and Means, on land and sea at war
With old poetic feeling, not for this,
Shall ye, by Poets even, be judged amiss!
Nor shall your presence, howsoe'er it mar
The loveliness of Nature, prove a bar
To the Mind's gaining that prophetic sense
Of future change, that point of vision, whence
May be discovered what in soul ye are.
In spite of all that beauty may disown
In your harsh features, Nature doth embrace
Her lawful offspring in Man's art; and Time,
Pleased with your triumphs o'er his brother Space,
Accepts from your bold hands the proffered crown
Of hope, and smiles on you with cheer sublime.
The Erie Canal:
Charles Dickens: “exquisite
beauty of the opening day, when light came glancing off from everything; the
gliding on at night so noiselessly, past frowning hills sullen with dark trees
and sometimes angry in one red, burning spot high up, where unseen men lay
crouching round a fire; the shining out of the bright stars undisturbed by any
noise of wheels or steam or any other sound than the limpid rippling of the
water as the boat went on; all these were pure delights.”
IV. THE SAD TRUTH OF GLOBALIZED
INDUSTRIALIZATION:
A. Art:
“Let us compare the
screen on which a film unfolds with the canvas of a painting. The painting
invites the spectator to contemplation; before it the spectator can abandon
himself to his associations. Before the movie frame he cannot do so. No sooner
has his eye grasped a scene than it is already changed. It cannot be
arrested….The spectator’s process of association in the view of these images is
indeed interrupted by their constant, sudden change. This constitutes the shock
effect of the film, which, like all shocks, should be cushioned by heightened
presence of mind.” (Benjamin, 238).
Marx
noted the fetish of the machinery of industrialism:
“Machinery,
gifted with the wonderful power of shortening and fructifying human labor, we behold
starving and overworking it. The newfangled sources of wealth, by some weird
spell, are turned into sources of want. The victories of art seem bought by the
loss of character. At the same pace that mankind masters nature, man seems to
have become enslaved to other men or to his own infamy.”
B. New Forms of Discipline:
How is your
life ordered?
Close
In Discipline and Punish. The Birth of the
Prison, Foucault wrote,
“In the
correct use of the body, which makes possible a correct use of time, nothing
must remain idle or useless: everything must be called upon to form the support
of the act required.”
You are an
industrial creation….
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